No more ‘parks’ where indigenous communities are treated like endangered species, and no more landless Indians.
#Enigma parallax menu issues full
Indigenous peoples must be accorded full legal rights, human rights, as well as full protection under the law. Brazil now has the opportunity to make a new future in the Americas. The U.S., of course, has convinced much of the world that is has the future, when all it has is money and guns. There has been no future in the Americas for five hundred years. Now Brazil has the opportunity to change. I am here to say that now you must change. I have heard the explanation from government officials and from anthropologists for more than thirty years. I know very well the excuse, the history and reasoning behind this phenomenon.
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Indigenous peoples of the Americas are badly treated in every country, but only in Brazil are we legally seen as less than human. People here say, os nossos Indios, os nossos Indios! – ‘Our Indians!’ This situation exists nowhere else in the world. Let me say it again: Brazil does not see the Indians of the country as fully human, with full human rights. In the legal system of Brazil indigenous people are not regarded as human beings. Here in Brazil there is a situation that must be seen as completely intolerable in the twenty-first century. I want to speak to the people of Brazil, to challenge you but in the spirit of solidarity. After refusing an invitation to participate in the International Symposium of the 27th São Paulo Biennial, he spoke at the World Social Forum in Porto Alegre, and called for a boycott to the 2006 Biennale: I want to try to speak to Brazil today. This text brings together writings by the artist himself about Brazil, and examines two exhibitions of his work that took place in the country.ĭurham’s first activity in Brazil was in 2005. On his rare appearances in the country, Durham has not commented on Brazilian art or the country’s ideas of cultural anthropophagy, choosing to focus instead on the characteristics and consequences of Brazilian society’s colonial mentality. Through his work as an artist and writer, the history of conquerors is called into question the Western way of living and thinking is denaturalised.įundamental to the artist’s work are pointed criticisms of the colonial process and of modern Western thought, making it extremely relevant for Brazil. His work operates like a multifaceted mirror that reflects multiple ways of thinking-feeling, distorting normality and allowing us to glimpse alternative possibilities of existence.
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Having lived across several different worlds, Jimmie Durham provides us with a kind of parallax perspective, offering us access to non-Western thoughts through Western languages. Jimmie Durham, untitled, 1992, acrylic on canvas, plywood, 78 x 82.8 cm.